Capture One’s October tools make selective retouching easier to control
Local AI retouching, protected areas and numeric color choices address different parts of an editing workflow.
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Photography
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Nikon’s 120–300mm keeps the teleconverter inside, and the light tradeoff visible
A switch extends the reach to 420mm at f/4. The practical gain is less interruption while photographing sport.
Instax mini Evo 2 gives the digital preview a bigger role in the printed photo
A 4.5-inch screen and Expanded View help with selection and timing. The 13 MP capture figure requires a memory card and the right mode.
Canon DP-3D turns depth inside a RAW file into a model, with strict shooting conditions
Dual Pixel data offers another view of a photographed surface. Compatible cameras, exposure choices and hidden geometry limit the result.
Wolverine’s Photo Mode works best when every light has a job
A spoiler-free guide to framing, selective lighting and choosing a final image shape, using PlayStation’s published tools and portrait example.
Fujifilm’s instax SQUARE 2 makes color a decision before the shutter
Physical Warm and Cool filters change the exposure itself. Three focusing ranges and the cost of film matter as much as the camera’s new look.