Dune: Part Three’s IMAX promise is about the screening format as much as the camera
Shot on IMAX film does not mean every cinema will project a 70mm print. A spoiler-free look at the release and format choices.
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Wildwood’s handmade world is worth a closer look, without the spoilers
LAIKA’s film and a London exhibition offer two ways to examine the design behind stop-motion, from puppets to miniature sets.
Clayface opens this week: the horror tone and cinema dates, without spoilers
James Watkins’s DC film begins its regional rollout. Its production design, runtime and viewing context offer more useful preparation than a plot recap.